Mel Chin

B. 1951, Houston, TX
Lives in Egypt Township, NC

Venue

7200 N Peters St
Arabi, LA 70032

Monday–Tuesday, Closed

Wednesday–Sunday, 11am–5pm

-

Holiday Closures

December 23–January 3, Closed

About the Artist

Mel Chin creates unique, idiosyncratic objects that require multi-disciplinary, collaborative teamwork. His public projects are insistently dosed with a rigorous pragmatism and an elevated poeticism, while his studio work is without a signature style resulting in works suffused with a deeply considered restraint or excess to promote an unpredictable aesthetic. 

Chin’s project Revival Field (1991-93) pioneered the scientific use of plants to remove toxic, heavy metals from the soil. He then founded the collective In the Name of the Place (1995-1998) to bring conceptual art ideas onto American prime-time television. His 9-11/9-11, (2007) won the Pedro Sienna Award for Animation in Chile. His nationwide initiative Fundred Project gave tangible form and political value to over 500,000 individuals opposed to the threat of childhood lead-poisoning. Unmoored and Wake (2018) in Times Square, New York City, was a visual portal into a future of rising waters. He established S.O.U.R.C.E. Studio (2017) to both enlarge the dialogue and realize sustained engagements with community and environment. He is the recipient of many awards, grants, and honorary degrees, including the MacArthur Fellowship, 2019, and election to the American Academy of Arts and Letters, 2021.

Previous Works

Mel Chin, Revival Field, 1991.

Plants, and industrial fencing on a hazardous waste landfill; approximately 60 x 60 x 9 ft. Pig’s Eye Landfill, St. Paul, Minnesota. Image courtesy of the artist.

Mel Chin, Wake, 2018.

Wood, steel, fiberglass, electronic and mechanical components, paint; 24 x 34 x 60 ft. Installation view in Times Square, New York, NY (July 11 - Sep 5, 2018). Co-presented by Times Square Arts, No Longer Empty, and the Queens Museum. Image courtesy of the artist.

Mel Chin, Our Strange Flower of Democracy, 2005.

Bamboo, river cane, burlap, coir, mahogany, steel, bottle caps; 15 x 18 ft. (diameter). Installation view in Mel Chin: Rematch (Feb 21 - May 25, 2014) at the New Orleans Museum of Art. Image courtesy of the artist.

Mel Chin, Fundred Presentation Pallet (Reserve), 2008-2019.

Image courtesy of the artist.

Mel Chin, Safehouse, 2008-2010.

Existing house, stainless steel, steel, wood, plywood, Gatorboard ®, lead-encapsulation paint, automotive body and paint finishes, 12,000 brass thumbtacks, 6,000 unique hand-drawn Fundred Dollar Bills; overall: 18 x 22 x 40 ft, interior: 10 1/2 ft high. Image courtesy of the artist.

Mel Chin, Sea to Sea, 2014.

Wood, glass, steel, projection coating, paint, two projectors, speakers, and CPUs. Installation view at the Mint Museum, Charlotte, NC. Image courtesy of the artist.